Beethoven Op. 132 quartet right now; the third movement, Molto Adagio – Andante – Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart. Molto adagio – Neue Kraft fühlend. Andante – Molto adagio – Andante–Molto adagio. Mit innigster Empfindung in F Lydian, never fails to make me break down into tears. I'm sobbing right now.
All of the Beethoven quartets, especially the late ones move me intensely. I love comparing the interpretations of the Takacs, Emerson and Tokyo and Amadeus quartets. Without exaggeration, I must have listened to these quartets thousands of times each over my lifetime. I never fail to see new and subtle things in these works.