News and Events => Arts & Entertainment News => Topic started by: Natasha on January 30, 2008, 09:29:40 AM Return to Full Version
Title: Jerry Springer - The Opera
Post by: Natasha on January 30, 2008, 09:29:40 AM
Post by: Natasha on January 30, 2008, 09:29:40 AM
Jerry Springer - The Opera
http://www.theatermania.com/content/news.cfm/story/12682
01/30/2008
her drugged-out best friend Zandra (Linda Balgord), and a transsexual named Tremont (Max von Essen); Montel (Lawrence Clayton) has been indulging his ...
http://www.theatermania.com/content/news.cfm/story/12682
01/30/2008
her drugged-out best friend Zandra (Linda Balgord), and a transsexual named Tremont (Max von Essen); Montel (Lawrence Clayton) has been indulging his ...
Title: Jerry Springer -- the Opera
Post by: Shana A on January 31, 2008, 07:14:48 AM
Post by: Shana A on January 31, 2008, 07:14:48 AM
Jerry Springer -- the Opera
http://www.theatermania.com/content/news.cfm/story/12682 (http://www.theatermania.com/content/news.cfm/story/12682)
Reviewed By: Brian Scott Lipton · Jan 30, 2008 · New York
Shocking. Exciting. Tasteless. Repetitive. Blasphemous. Exhilarating. A collection of adjectives -- admittedly sometimes contradictory ones -- is the simplest way to describe Jerry Springer - the Opera, which is getting its belated New York premiere via Jason Moore's first-rate (and sadly, two-night) concert staging at Carnegie Hall. What's most remarkable about Stewart Lee and Richard Thomas' "opera" -- I'm more tempted just to call it a musical -- is how much of what shouldn't work in the first act actually does. And if the second act's ambition can't quite match its execution, the overall experience remains one of the most original pieces of theater I've seen in a very long time.
http://www.theatermania.com/content/news.cfm/story/12682 (http://www.theatermania.com/content/news.cfm/story/12682)
Reviewed By: Brian Scott Lipton · Jan 30, 2008 · New York
Shocking. Exciting. Tasteless. Repetitive. Blasphemous. Exhilarating. A collection of adjectives -- admittedly sometimes contradictory ones -- is the simplest way to describe Jerry Springer - the Opera, which is getting its belated New York premiere via Jason Moore's first-rate (and sadly, two-night) concert staging at Carnegie Hall. What's most remarkable about Stewart Lee and Richard Thomas' "opera" -- I'm more tempted just to call it a musical -- is how much of what shouldn't work in the first act actually does. And if the second act's ambition can't quite match its execution, the overall experience remains one of the most original pieces of theater I've seen in a very long time.