News and Events => Arts & Entertainment News => Topic started by: Shana A on December 24, 2010, 08:49:16 AM Return to Full Version
Title: Movies: Best LGBT Characters of the Film Year
Post by: Shana A on December 24, 2010, 08:49:16 AM
Post by: Shana A on December 24, 2010, 08:49:16 AM
Movies: Best LGBT Characters of the Film Year
NATHANIEL ROGERS
http://www.towleroad.com/2010/12/movies-best-lgbt-characters-of-the-year.html (http://www.towleroad.com/2010/12/movies-best-lgbt-characters-of-the-year.html)
01 "Kimberly Reed" in PRODIGAL SONS
Prodigal Sons first began the festival circuit in the summer of 2008 but it won theatrical release and even an Oprah episode in February of 2010 and is now on DVD. It's one of the very best films of the year, whichever year it belongs to. The film begins as a personal diary/essay about a homecoming. Paul, a high school football hero, left Montana years ago and is returning as Kimberly. Unlike most documentaries which have very clear agendas, Reed allows her own story to grow organically as it plays and she loses much of the star focus to her adopted brother and the tensions and relationships within her family. The movie, to its great credit, becomes less and less of a vanity project and more and more a spectacular study of identity politics and family. The director and star is a gorgeous articulate transgendered woman with a very specific story to tell but this is a movie that everyone should see, no matter how they self-identify.
NATHANIEL ROGERS
http://www.towleroad.com/2010/12/movies-best-lgbt-characters-of-the-year.html (http://www.towleroad.com/2010/12/movies-best-lgbt-characters-of-the-year.html)
01 "Kimberly Reed" in PRODIGAL SONS
Prodigal Sons first began the festival circuit in the summer of 2008 but it won theatrical release and even an Oprah episode in February of 2010 and is now on DVD. It's one of the very best films of the year, whichever year it belongs to. The film begins as a personal diary/essay about a homecoming. Paul, a high school football hero, left Montana years ago and is returning as Kimberly. Unlike most documentaries which have very clear agendas, Reed allows her own story to grow organically as it plays and she loses much of the star focus to her adopted brother and the tensions and relationships within her family. The movie, to its great credit, becomes less and less of a vanity project and more and more a spectacular study of identity politics and family. The director and star is a gorgeous articulate transgendered woman with a very specific story to tell but this is a movie that everyone should see, no matter how they self-identify.