Quote from: Asche on July 05, 2015, 09:32:34 PM
Hope this isn't a derail, but...
To what extent do the frequencies you all are talking about correspond to the musical notes one can sing? For instance, I see mention of "falsetto" voice at 160 Hz (around E below middle C.) My falsetto singing voice goes from about A below middle C (220 Hz) up to about C above middle C (520 Hz); I can't do falsetto below about A-flat.
I've also never heard of a "whistler" voice -- is this anything like "head voice"? (I'm told "head voice" is different from falsetto, but I have no idea how.)
My voice is one of the worst to get stuck with because all my ranges are so low. My ranges break down as followed
Lowest usable note 80Hz, male speaking voice was above that.
Mouth voice 130-196Hz
Falsetto voice 155-237Hz
Whistler voice 250-490Hz
The head voice/mouth voice is where you tighten the muscles above the larynx. To get to the Falsetto, you use light air pressure and light tension on the vocal cords.
Now to access the whistler voice, you use a Falsetto with just a little more tension in your vocal cords and you will jump to the higher range. The voice is very uncontrollable and not useful for speech however if you are into opera and hear a singer cranking out some really high notes, that is most likely the Whistler range,
When I tried accessing the falsetto, I jumped to the Whistler instead. I then had to backtrack to reach the falsetto.
Now if I hadn't given up on the idea of singing when I was young, I might have been able to sing in the Bass range but I think it would have been disgusting to sing so low.
You have more of a singing voice and the gods of T were kind to you. As you can see, 190hz for me is in the upper end of the falsetto voice where it's hard to control for voice usage, it's better to work the low end of a range were the sound can be produced with less tension on the vocal cords.
And now you understand why they developed voice feminization surgery. Just for cases like me.