I disagree.
Resonance (and probably at least a minimum pitch) are the most important thing for your voice to be RECOGNIZED as female.
The rest is talking STYLES, while it is more feminine to do that, not ALL do it. But probably most.
My best tip for you is to ditch half of your vocal cord by keeping tension on them (most likely the lower half), do not go to falsetto. It should be a slight tension and a difference mechanism than falsetto anyways (in falsetto you push them further apart).
Try to speak, record yourself, see the average pitch it formed.
See if it sounds female to you, if not you should try to add resonance to it, this can be done by adding a bit of tension a bit of tension at the base of the tongue.(really, it's base, don't play with the tongue itself).
This will most likely block a bit of the pharynx, allowing less air through at the time (out) and therefore decreasing the resonance chamber.
After you master that, everything else will be easier, I don't know why, but I predict mastering the "inflection" and the rest should come naturally later.
Post Merge: February 27, 2010, 11:37:12 PM
Quote from: Sandy on February 27, 2010, 06:47:32 PM
Inflection, intonation, word choice and sentence phrasing are just as important as timbre and resonance.
Much of that is not speaking *like* a female, but learning to *think* AS a female.
This is much of the socialization that happens when females are children. Mommy: "Good girls don't speak like that!"
Women who have deep voices are still read as female (mostly) because of the *way* that they speak, not *how* they speak.
-Sandy
I tend to disagree and say it is mostly because of their resonance.
I met women with really deep voice and you hear them, you can't mistake them for a male because of the resonance.
I met guys with high voices and even gay people who speak "feminine" and at the support group a lot of people who tried to talk like female, they didn't sound like female, even if they had perfect inflection.
I heard women with no inflection at all. Some with normal pitch, some with deeper pitch. It sounds female because of its resonance, it sounds feminine because of the style (inflection).
There is a difference and I think people like to think that inflection is the key because resonance is a biological mechanism harder to change.