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Writing a trans character

Started by kyril, February 24, 2011, 07:59:48 PM

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kyril

I write speculative fiction (sci-fi/fantasy) as a hobby; I'd love to do it professionally, but I'm a very slow writer and my plot development is a little unpolished, so I'm still just an amateur. Nonetheless, when I do characters, I like to do them right.

There's a trans character in the book I'm writing now. It's sort of a vaguely fantasy setting with a social science fiction-esque plot - I don't think it matters very much for my question, but I could be wrong. The character is trans/has a trans history, but the book isn't about trans issues at all. She's a fairly major character and I can do a lot with her, but she's a "supporting cast member" if you will, not a main plot driving character. The main character is, as usual in my work, a young cis gay man (write what you know, right?)

My problem is that I don't know how to show the reader that this character is trans without hijacking the story and making it 'about' her being trans. I don't want to do some sort of dramatic vindictive outing, or family drama, or anything like that. I don't write sex/nudity scenes involving women...actually, I don't write much sex at all. And the book is written in a third-person limited narrative voice, following the main character, so it would be odd to include a different character's thoughts or internal dialogues or private conversations.

Does anyone have any ideas?


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Hyde

It sounds like a tricky dilemma, trying to make the transgendered details of that character subtle, especially when transsexualism is supposed to be a hidden/personal detail from the outside. I can only help you with so much since I'm unsure what the main plot is about or what sort of timeline/social setting I should expect asides from what you've already stated.

Chances are, if your main plot is gripping enough, the fact that one character in your story is trans shouldn't honestly take much away from the plot. There's several factors to consider and think about when approaching how much to reveal about this character, though;
1) Would it change much of the main plot, or is there a turning point in the story where the character being transgendered matters to some extent in the main plot?
2) Would it change the outcome of how major characters would react or interact with her?
3) Are you outing their transgendered status within the plot, amongst other characters, or only letting readers know?
4) What does the transgendered person do to contribute to the plot? What defines them as a significant character apart from being trans?

Special emphasis on four.. because characters shouldn't be especially significant only because of 'something' they are, they should be significant because of what they do in spite of what they might be.   

Something that can help is thinking from it from the transgendered person's perspective, if thinking about it from the general scope of the entire story isn't helping. What kind of a background do they have, and what do they do to pass? Do any of those details matter to the main story? How do they contribute to the story that has nothing to do with their ->-bleeped-<-?

Depending on what details you've established for that transgendered character, and how congruent it is to the main plot; you can decide on how open they are about their past or presenting their demeanor to the main character(s). The trick here is identifying what details would help boost your primary story and the development of your main character. If, for example, the transgender has a traumatic past with her family but explaining the entirety of it doesn't add to your plot in some way, don't include it in your story. On the contrary, if explaining that past helps the main character reach some sort of understanding with transgendered people and develops them as a person or is a key plot point later on, then it could hold importance, for sure.

Besides, when they are transgendered in the first place, I doubt that the character wants to make it clear that they are trans, as they wish to blend into society living as their true gender.
Knowing that you are writing this in third-person limited voice, there will be only so many details that the audience will find out about. Perhaps the main character has a keen observation and detects that there is something off about this trans character and makes a couple of guesses as to why. ["Perhaps she is transgendered? Something about her mannerisms is... etc."]. That would probably be a good subtle way to get it across to readers without ratting them out to the audience or blatantly stating what she is.
Another suggestion is to think of specific/unique personal morals, gimmicks, or personality quirks that the trans person may have in the present as a result of being trans or going through a hard life growing up, rather than directly stating it. Maybe they're extremely non discriminating/judgmental towards other people when it comes to gender, or have a profound hatred of prejudiced people. Maybe certain things she does in terms of action will give away that she may not have always been a woman. 

Good luck, I hope you figure out your plot development and characters. Although characters are highly important to the story, knowing how to write for them so the story doesn't lose focus is equally important. Ultimately, the key is knowing how to balance and tie in all these details together without overwhelming the reader.
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espo

My friend has outted me a million times because of how she looks...... total man in wig.  Being the only friend I have in the whole world I guess I will keep her LOL but maybe you can do the 'guilty by association ' thing ?
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Rock_chick

Firstly I would ignore the trans aspect of the character to start with, and just work on how she interacts with the main character. what role does she play in the plot: is she a guide, a nemisis, a trickster...ask those kind of questions and then ask how does her being trans affect the role she plays. Now if you're going to write a trans character you have to out them to the reader and possibly the other characters. How would you do this? is it going to be a dramatic thing, or something more subtle. Write a characterisation (should so follow my own advice here) and figure out how she lives, breathes and interacts with the other characters.

As a complete aside and not really knowing what the story is about, a good way to is looking for someone but they're now in effect someone else.
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kyril

Helena - the aside is actually really a great idea considering the story.

More details: the trans character is actually the biological...er, sperm donor? of the main character. He doesn't know this; she does. It's important that she be written as female (and not publicly outed) because her place in society is one that only women occupy. She's a military officer of sorts, and serves as a sort of mentor figure to the main character for a period of time, for reasons that I don't necessarily need him to understand, but I'd like to throw the reader some hints.


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kate durcal

the main guy and the trans lady are in a bar, some jerk comes says something to the guy (nothing to do with the lady, or her trans as she pass perfectly), a fight ensues, the guy is good but there is six of them. The lady gets involved and kicks some ass, helps win the the battle. As they walk home he says "wow, I was amaze of your moves and your strength,"  she casually says "that is because in my previous life I was a boy, you have to be tight to be a girl in a boy's body"

Hope this help. What is the time frame?

Love,

Kate
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Rock_chick

hee hee, thatreally would work wouldn't it...you could have a real "luke I am your father!" moment
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Sean

Quote from: Helena on February 26, 2011, 04:33:13 AM
hee hee, thatreally would work wouldn't it...you could have a real "luke I am your father!" moment

No...no...that's not true! That's impossible!   ;D

Thinking along Helena's lines, you could have a running thing where the character is recognized as "seeming familiar" or otherwise asked if she is a relative of a particular guy people once knew. The way the inquiries are phrased combined with the character's responses can slowly throw winks/nudges to the audience.
In Soviet Russa, Zero Divides by You!
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