
I have learned more things.
Most important, I realized that the drawing is not only the shapes of the sound, but also the structure of it.
The spatial organization is the representation of the relationship between a note and every other.
So for example, rhythmic loops would look like a pattern

And there's a very funny tendency to draw from left to right, which is school's fault cuz they Never liked it when I wrote from right to left. Them basthers.
ANYWAY

Doing a whole song will take a poster-size paper, and it'll be filled with millimetric detail.
I mean, this thing isn't even a complete sound-pattern in the song! It'd be like 2 seconds or so.
Now imagine if I tried to do some 40 minutes long Progmetal epic song. omaigawd.

The directions of the elements in the drawing depends on where they're going in the song, so it's a bit of interpreting the song, and giving it arbitrary meaning. Because for example, some sounds spiral and some other sounds go straight somewhere, but it's hard to tell which ones are which and why. I just intuit it.

The overlapping shapes are because two stories are crossing somehow. For example, this feats a long, smooth and twisting sound. I suppose it's like a violin. In the twisty sound's path it happens to pass by where the rhythmic sound happens. The problem is whether these things happen at the same time or not, I'm not sure how to represent it.

This was an attempt to draw voice.
For some reason, voice and distorted guitars seem REALLY hard to draw. The guitars have a very coarse texture which I don't know if I'm able to get right, besides the texture is defined, as in, the vibrations of the strings or so. Whatever it is that causes the guitars to do that electric sound.