Transition As Transaction: "Passing" And The Commodification Of Womanhood
November 9, 2012 at 8:09 pm Natalie Reed
http://freethoughtblogs.com/nataliereed/2012/11/09/transition-as-transaction-passing-and-the-commodification-of-womanhood/Very early in the film Transamerica, the trans woman protagonist, Bree, is seen practicing along to a "Finding Your Female Voice" video, from Deep Stealth Productions. Deep Stealth is partly owned and operated by Andrea James, who acted as a consultant for the film.
I've never been quite able to shake the sense of this as being far more an act of commercial product placement than an attempt at verisimilitude and accurate representation of trans women's experiences.
Later in the film, we hear Bree listing the various surgeries and procedures she's undergone in the process of her transition: tracheal shave, brow recontouring, extensive electrolysis, etc. We also see her attend a trans support group filled with trans women (played by actual trans actresses) who, deliberately, are meant to be more "passable" than Bree and proceed to offer her a litany of unsolicited "passing advice"; despite the immense investments Bree has made into her appearance, to looking like a "real" woman, the story wants us to regard her as "trying too hard" and therefore her womanhood still appears "artificial" and "fake". The narrative takes Bree's quest to attain "passability", her efforts to make her appearance match a normative standard of female beauty, and directly equates this struggle with Bree's "redemption", her character arc, her "growth", her psychological development, her emotional well-being.
As far as Transamerica is concerned, Bree's efforts to acquire normative female beauty, as defined by the narrow terms of our cis-patriarchal, white-centric, able-centric culture, is interchangeable with the whole her worth, validity, struggle and growth as a human being.