My observation was more on the general public's reception of the movie. When it came out it was all hyped up.
I think Kyra was a curveball the public didn't expect. But she is necessary to get into the esoteric understory.
I'm just like that with any movie or novel or whatever, I pay attention to the esoteric, the underlying symbolism.
Chronicals has to be watched completely alone with full attention to see that stuff.
I think that why most folks miss the esoteric, they are distracted. Which is almost unavoidable in modern life.
I have to go out of my way to really dig into a story.
Guess I'm a literary geek too.
But yeah, I'm a girl raised by feminists. I love being "girly" but I will not conform to anyone's definitions of what a woman is "supposed" to be. Maybe that how this "boy game" of mine started years ago, I got confused, too many choices. All those 1975 feminists my single mother was hanging around told me I could be anything I wanted to be. Those ladies loved me for who I was actually. They may have had angry things to say about the husbands they were divorcing, it was an angry time for a lot of people. But they were great women. I was raised on the ideal of the strong woman.
The great thing about Kyra, Riddick can't shake her. She keeps right up with him.
Won their little bet in the long run too. She is the better killer, she was the one who slayed the Lord Marshall, converted for the sole purpose of getting him. It was the only time Riddick ever shed a tear.
and the understory?, the 'underverse'?..... DEEP DEEP stuff when you look at from an esoteric standpoint. Monistic, ancient, intergalactic, level mythology. Bhrama level stuff.